Showing posts with label Mutually Assured Destruction. Show all posts
Showing posts with label Mutually Assured Destruction. Show all posts

Friday, January 10, 2014

Putin on the Ritz

Well, you can't blame them for trying. It seems the networks have seen the success of Showtime's Homeland (and it's multiple Emmy wins) and now television series about US intelligence agencies are breaking out all over.

It's January so it's time for midseason premieres! In the Fall, the networks all tout their shows as the next big thing, but in reality they know most of those new shows are going to fail. There's always a back up plan and the networks have a bunch of new series waiting in the wings to take the empty time slots. This means that January is chock full of premieres, so let's get going on some of these reviews, shall we?

First up, The Assets!


I wasn't wowed by this one, and apparently most of America wasn't either. The first episode of this eight part miniseries debuted with the lowest rating in the key demo (a 0.7 among 18-49 year olds) of any drama to air on the big four networks. The lowest rating EVER. That's pretty impressive. No word yet on Putin's reaction to the series. 

Here's a basic plot summary from ABC:
The Assets is an eight-part miniseries based on the real life events of CIA counter-intelligence officer Sandy Grimes (Jodie Whittaker). 1985 serves as the backdrop to the final showdown of the Cold War when Sandy and her partner Jeanne Vertefeuille (Harriet Walter) vowed to find the mole that would turn out to be the most notorious traitor in US History, Aldrich Ames (Paul Rhys). Sandy is in a race against time to save the Soviet intelligence officers from being caught and killed. Living her own double life at home, this beautiful wife and mother vowed to stop at nothing until she uncovered the truth. The Assets will look inside the true, personal stories of the conclusion of the Cold War as told by the keepers of the nation’s secrets: the CIA.
It's basically Homeland set in 1980s. So instead of Middle Eastern terrorists, it's Russians. And the main blonde agent is kinda boring. And not crazy. And doesn't make goofy faces when she cries.

This is like 70% of the reason why I watch Homeland. The other 30% is hoping that Mandy Patinkin will sing.

I didn't hate it; the show had a lot of stuff going for it. The espionage stuff is all pretty neat, and there were some tense scenes of spy vs. spy shenanigans involving the CIA and the KGB. I also liked that the Russians weren't made to look like buffoons--they pose a genuine threat and out-maneuver the CIA at every turn in the first episode. It's also clear by the end of the first episode who the mole in the organization is.  Since it's a matter of public record now, keeping it secret would have been kind of silly. After 30 years, the cat is out of the bag.

There are some problems though. There was a lot of "huhs?" going on in the living room of my Dad's house for the first half of the episode. There's a difference between trusting the intelligence of your audience and being purposefully cagey. I guess they were hoping there would be a big "aha!" moment at the end when the pieces come together, but I wonder how many people actually made it that far.

In the end, I'll most likely keep watching, but if the pace doesn't pick up in the second episode or the characters don't become more engaging, I'm out.

The Assets airs Thursdays at 10:00 pm EST on ABC. You can view episodes online at the ABC website.

Second show: Intelligence!

It's kind of ballsy to name your show Intelligence. Especially if the underlying concept is kind of silly and completely derivative.

These two have seen it all before. And really so have you.

Hit it, promo monkeys!
In Intelligence, Josh Holloway stars as Gabriel Vaughn, a high-tech intelligence operative enhanced with a super-computer microchip in his brain. With this implant, Gabriel is the first human ever to be connected directly into the global information grid. He can hack into any data center and access key intel in the fight to protect the United States from its enemies. Marg Helgenberger stars as Lillian Strand, the director of the US Cyber Command who supports Gabriel and oversees the unit's missions. She assigns Riley Neal (Meghan Ory), a Secret Service agent, to protect Gabriel from outside threats, as well as from his appetite for reckless, unpredictable behavior and disregard for protocol.
Sound familiar? If you're a fan of NBC's Chuck, it should. Ok, so Josh Holloway's character isn't playing geeky 30 something....he's more of an ex-Delta Force superhuman crime-fighting machine. But still.

Intelligence is basically a standard CBS procedural masquerading as something more. They want it to be new! and exciting! But don't be fooled. Instead of a crime lab or whatever, it's the US Cyber Command (say what?). Sure, the first episode looked great--but almost every drama premiering on the networks these days looks good. I will admit that it had some great action sequences and fight scenes though, but nothing else about it really connected with me.

What you have here is last night's leftovers dressed up in some fancy packaging in an effort to make it more appetizing. And I count Josh Holloway among the wrapping. He's a looker alright, but still playing his usual wise-cracking tough guy character. Unlike Sawyer though, Gabriel has a quest! He needs to find his missing wife whom everyone is convinced was a traitor against America and died years ago. But he will never give up hope. Or something.

One more quibble. Other than a few Asian bad guys, everyone in this show is white. This was a HUGE problem for me, and rankled me throughout the pilot episode. In this day and age, it is basically inexcusable to have an ensemble show without any minorities. Get your shit together, CBS.

Oh, look! A show full of blandly attractive white people. SHOCKER.

Bottom line: unless you are hankering for another US agency procedural (this time dressed up with some admittedly awesome action scenes), skip it. Go watch SHIELD; while that show isn't perfect, at least has a sense of fun and some interesting ideas.

Intelligence airs Mondays at 10:00 EST on CBS.



Monday, July 29, 2013

And Now, A Very Special Episode About STDs


Apologies, all - I'm behind in the True Blood recaps. The first of two this week, summarizing the two most recent episodes. We're definitely moving into the second half of the season with this one as shit is starting to go down and we even lose a (mostly) major character. Without further ado...

Because there’s never a time when this show doesn’t like to start us directly in the middle of the action, we begin this time with Lafayette (who, you’ll remember, is possessed by the ghost of Sookie’s father) attempting to drown Sookie in a river to finish what he planned on doing all those years ago – kill her before she could be taken by vampires. True Blood logic, everybody! Anyway, Ben saves her before anything can happen and forces Mr. Stackhouse out of Lafayette with his faerie light. GhostDad was hoping for a nice reunion but he pretty much ruined that. Sookie tells Lafayette to tell him to get out of her life forever. So basically she’s doing the same thing all girls say to their fathers at some point, it’s just delayed by about ten years post-puberty. And, you know, drowning.

"Just saying. Father of the Year Award nomination? Off the table."

In VampireDome, Eric and Pam prepare to stare at each other to death. Pam is none too pleased that Eric sired another vampire, but puts that aside to help Eric kill the guards who are watching the room with their guns and seriously freaking out the Gov, Sarah and Steve Newlin who are watching. Take Away Message here: don’t pit Eric and Pam against each other. Bitches will literally eviscerate you.

Bill/Lilith is calling Ben to him/her. Sookie transports her and Ben to the magic faerie dimension that looks like it was shot through a 1970s gauze filter to keep them safe.  Bill, unable to bring Ben to him, gets his professor in the basement to drain him of almost all his blood in order to force a hallucinatory meeting with Lilith.

Jason, pursing a long line of unfortunate choices, is in the VTF recruiting office where he comes on a little strong even for these folk, expressing a significant desire to “fuck these fucking fangers up.” “Why don’t I just go through the interview checklist first,” the recruiter offers. Either way it goes well with Jason providing a litany of what he knows about vampires and the recruiter meeting eagerness in kind and deciding to fetch his supervisor for approval. “Racist fucks,” Jason mutters under his breath as the recruiter walks away.

You know what would be awesome? More time away from the Sam/Nicole plotline. Unfortunately, we’ve got more of it. Nicole wants Sam to face up to who he is, stop running away with Emma, blah blah blah. Sam is doubtful. Yuck. At any rate, Alcide finds his father in the motel that Sam and Nicole are staying in. Pops and one of the “were-bitches” have been, ahem, passing the time but tell him where to find Sam and Nicole. Alcide HULKSMASHs his way into their room, but Sam and Nicole have gone already.

In the faerie realm, Ben tells Sookie that he needs her to restrain him before the sun sets so that he won’t hurt her. Sookie complies, using vines and her magic light to tie him down. Ben meanwhile expresses regret that Sookie had to find out about what her parents were planning. The touching reconciliation could go farther, but he starts to vamp out.

This is so going to go in an S&M-y direction, isn’t it? 

Andy Bellefleur has a talk with his surviving daughter who is about ready for a real name, especially because being called Number Four is kind of an uncomfortable reminder about what happened to the other three. He decides to give her the name Adilyn Braelin Charlene Danica, one name for each sister.

Lafayette is trying to recover from his possession-a-thon with the best way he knows how – copious drugs and crafting. 

For realz. 

He’s interrupted by Terry, who appears shaken (we know why) and gives Lafayette the key to his safety deposit box. Lafayette, rightly, knows something’s up but accepts the key and a very awkward hug from Terry. He also calls Arlene to let her know that her husband is wicked unstable. Arlene panics, worried that Terry will try to kill himself out of guilt from the war. Holly suggests using a vampire to glamour Terry into forgetting about what happened in Iraq, perhaps asking her son’s friend’s dad’s husband who is a vampire. “He owes me one,” she tells Arlene, picking up the phone to call before adding in a conspiratorial whisper, “they’re gay!” And see, True Blood, when you write shit like this it makes me want to fall in love with you all over again.

Sookie is getting the low-down from Ben – he was born in 3532 BC, turned in 3500 BC and he’s been waiting for her the entire time. Uh huh. “So, how did you think this was going to go?” Sookie asks, pointing out that showing up with a contract roughly 6,500 years after becoming a vampire and demanding that she be his faerie bride may not go over like gangbusters and you’d think six thousand years of planning would have yielded something a little more graceful. Like flowers and a box of chocolates, or something. Ben tells her that the contract was arranged in the 17th century, but he’ll tear it up if she wants him to. He despises that Lilith made him a vampire and if Sookie was with him, it would be okay because with Sookie also a faerie vampire, they’d only need each other’s blood.

At the VampCamp, the Gov is getting smug over Eric being put to the True Death. He brings in Nora as a bargaining chip, saying he’ll kill her to make Eric understand what it feels like to lose someone close to him like the Gov feels now that Eric has “killed” Willa. The Gov’s scientist inject Willa with something they call “Hepatitis V”, which can be spread sexually, hence all that experimental vampire lab sex. They leave them both chained and facing each other.   

I really wanted this scientists to have a fake stereotypical German accent, but alas. He was American. 

Bill, through the help of blood loss, is able to meet with Lilith who tells him that The Tyrant took Jessica and “The Blonde” took their salvation and basically Bill is the biggest disappointment she’s seen which, given her age, you have to admit is saying something. Lilith warns him not to come to her again and instead he needs to grow a pair, man up and act.

Sam meanwhile has called Martha, Emma’s grandmother, to come get her provided that she’ll be kept safe from the Pack. Martha tells Sam that she’s left the Pack and seems genuinely grateful. Sam says what is probably supposed to be a heart-rending goodbye to Emma, but honestly since we’ve only spent like three minutes of screen-time on these two together this season, it’s hard to muster the tears. Later, Alcide catches up with them and gets pissed to see that Emma has already been taken away. Sam calls Alcide out, tells him to stop being a dick or come at him already. Alcide tells Sam to leave town if he knows what’s good for him and that Alcide may not kill Sam, but he won’t stop his pack from doing it.

Arlene and Holly welcome in the gay vampire (conservatively, but fashionably dressed, btw) to hypnotize Terry. Arlene asks the vampire to ensure that Terry remembers nothing about the war and only remembers his family and his civilian life. Finally, a life of happiness and contentment can be theirs!

"I'm sure our long-fought struggle for emotional and familial stability will in no way be undermined by actions one of us has taken without consulting the other."

Jason is regaling the VTF with his war stories about Rambo-ing the Authority last season when Sarah enters the room. Jason admits to her privately that he’s getting Jessica out and if she tattles on him, he’ll reveal her secrets as well. Willa, meanwhile, demands that her father put her with the rest of the vampires instead of solitary, despite the Gov’s insistence that she needs to be kept safe so that they can “fix” her.  

As Bill rejoins the land of the somewhat living, news hits that the Gov has made an agreement with the makers of True Blood to start up production again. Bill fears time has run out and swallows Ben’s blood, allowing him to go outside in the daylight for the first time in 150 years.

In creepy emotionally abusive news, Sarah Newlin isn’t about to take Jason’s threats laying down. Unlike everything else of his that she’s taken in that position. (hey-o!) She arranges for Jason to observe the vampire’s “copulation study” process from behind a one-way mirror. Naturally, one of the two subjects is Jessica. Her “study partner” is just as squicked out, insisting that he’s a vampire, not a rapist. He is hit with bursts of sunlight for protesting. Jessica sobs and tells him just to have sex with her to spare him, but the vampire with the heart of gold refuses. Sarah orders Jessica removed from the room.

At Merlotte’s Bar and Grill, Terry has a new lease on life and Arlene couldn’t be happier. Life is good! Terry gleefully going about his job, cleaning up the kitchen and taking the trash out. Which is when the shot rings out. Arlene runs outside to see Terry shot through the neck and bleeding out on the ground. She holds Terry to her as Terry slowly dies in her arms. Okay, I know I said I was tired of this plot last time, but man. Harsh.

Damn. That's cold, brah. 

The Gov is conducting a dramatic reading of the Bible when Bill invades his compound, wooden bullets flying right through him without harming him. Bill uses his new abilities to make all the guards shoot each other and demands that Gov tell him about the room where all the vampires are executed by the sunlight. The Gov doesn’t want to play, refusing information and saying that Bill killing him will just turn him into a martyr for the cause. “Cut off my head and another grows in its place,” the Gov warns. Bill decides to take his chances…and literally rips the Gov’s head off.

"Alas, poor Yorrick..."

Nora isn’t looking too good, the Hep V disease working into her system. Eric summons Willa from the common room, who glamours the pervy guard who tried to her to blow him last time into  taking her to the room Eric and Nora are being held. Eric and Nora dress in guard and doctor clothes and pretend to take Willa hostage in order to flee the facility, but Willa insists they get Tara and Jessica as well. In the search, Eric discovers that the facility is the True Blood bottling plant and that the scientists have been contaminating the new True Blood supply with Hep V. 

In the spirit of truthful things, Sookie is still talking with Ben and confessing that she knows that everyone in town thinks she is “a danger whore.” Ben snarks that he’s had the same problem, why do you think he lived alone for thousands of years? Sookie wonders if they’re right, given that she’s developed feelings for Ben and she’s at least finally aware that she’s got a pattern going. Then, to prove the point, she offers her blood to Ben, knowing he needs to feed. Him biting her leads to her biting him which leads to her removing Ben’s pants which leads the hot sweaty sexytime. As the two grind each other, they both begin to glow.

Offered without comment. 

Tuesday, May 14, 2013

They Shot That Poor Kennedy Boy

Just a typical day at the office, folks. Don's keeping a woman hostage in a hotel room, he sets Ted drunk their first day working together and Joan's puking into a trash can. 

Wow, Don Draper. You certainly do know how to turn a girl's stomach. In this episode, we learn that Don doesn't being stuck in a private plane with Ted Shaw, but he does like keeping his mistress trapped in a hotel room.


Did I ever tell you about the time I was the Red Baron? No? It was 1917 and I was a young, idealistic enlisted man who believed in what we were fighting for. Little did I know that the war was the product of cynical men and it ushered in a cynical time...

In fact, this whole episode is about people being trapped in things. Pete's mom has Alzheimer's and she ends up trapped at his skeezy bachelor pad. 

Oh, and Bobby Kennedy gets shot. But you knew that was coming.


So then I said to her, "Stay here naked until I get back." And she did. These chicks, man. They kill me.

So, Don's headed to work one day. Or coming back from work. I don't know which and frankly, I don't really care. He hears Sylvia and Arnie Rosen having an epic argument, and Arnie's suitcase is in the hallway. Don listens to them argue, makes a sadface and presses the "Close the fucking door now button" before Arnie can storm out and catch Don eavesdropping.

At Sterling Cooper Draper Pryce Alphabet Soup (new firm name TBA), there's crap everywhere. It's like Welcome Week on a college campus. Head Secretary Partner Joan is in charge of assigning female secretaries to their male bosses, but she takes a break to escort Peggy to her new office. Which has her name on it. In Magic Marker.

Colonel Sanders Bert Cooper starts off the partners' meeting and Don strolls in late. Because he's Don. Pete smarms in and is mad because he doesn't have a seat. Ted's secretary offers to give up her seat, but Ted tells Pete to take his seat and he sits on the filing cabinet. Also, there are danishes. With what looks like raspberry filling. Nummy. Henry LaMont from New York State thinks there's a conflict of interest in their accounts because SCDP's client list includes Mohawk Airlines as well as the New York transportation board. Ted thinks they should resign the New York account because Mohawk is an airline. Then one of the new partners gets angry at Pete for losing Vicks (and Clearasil as well, apparently) and Don breaks in to say that he will go upstate to soothe Henry LaMonte. He agrees to take Pete, and Joan insists that he take Ted along as well. Ted volunteers to fly them all up in his private plane. Don doesn't like the idea of Ted going or Ted flying them, but he can't defy the other partners. Cue everyone dying in a fiery crash. 

Oh, if only we were so lucky.

Really, Don could drive himself up there and take care of binnis by his own bad self, or at least have some time to get the hell away from all of you people. Pete's girl, Clara, pops in to let Pete know there's an urgent call for him, and Pete leaves the office to deal with his batty mother. Pete's mom is at Pete's apartment, which is where Pete still lives because he's not allowed home. 


Pete's ma is demanding of Pete's maint guy that she be allowed to see Pete's pop because she's convinced that Pete's dad is having an affair. Only problem is that Pops is real dead. Like real, real dead. Pete tells the maint guy to keep Mom liquored up with G&T until he can get there. Pete's brother is Bud sick of taking care of Ma, and he tells Pete it's Pete's turn. Bro of course does not know that Pete is persona non grata with Trude and that they're separated.

Bud's wife is Judy! Not Trudy!

Don welcomes Peggy back to the fold and gives his regards to Bert Peterson, who gets fired by Roger in the following scene. Nobody knows where Don's secretary Dawn is, so when freaking Sylvia calls, she gets Don directly. Since Arnie's flown the coop, she tells him she will spread like buttah for him if he comes over straightaway. Much in the manner of unoriginal hook-ups everywhere, Don agrees to meet her at a hotel at 12:30 for some nibbles.

And this is the point where Don goes off the rails. He has sex with Sylvia and it's gross and awkward and whatnot, but then, sensing lack of control in other areas of his life, he starts ordering Sylvia around. He tells her to get on the floor and crawl over to his shoes, and she refuses, but brings him his shoes and puts them on him. Then he tells her to take off her clothes and get into bed. Sylvia seems a little weirded out, but she plays along. She expects Don to undrape, but Don remains draped and heads back into work, leaving Sylvia alone in the hotel room, with orders for her not to go anywhere. Which she for some reason obeys.

Well, it's news to me that you don't respect me, Don. Frankly, I am shocked.

Over at the office, where people are doing, you know, WORK, creative is working on margarine. Peggy can't find Dawn/Don (neither black nor white, thanks, Ted), and Ted wants to do a "rap session" with the kids in creative to "free associate" about margarine. It's yellow. It spreads easy.
Nutritious, delicious frankenfat.

Peggy puts her useless margarine trivia knowledge to use and mentions that Napoleon III invented margarine as a way to feed his troops because it doesn't spoil. That is actually true. That actually happened. Can we get this girl on Jeopardy? But Ted's hearing a lot about bread. Less bread. More spread. Don waltzes in and Ted is pissed because Don was forty minutes late to the meeting.  Don takes his toast into his office and makes a creepy stalker call to Sylvia at the hotel. He orders her to wait there, with no idea of when he'll be back. Then he tells her not to answer the phone again. Sylvia starts some personal buttah time and he calls again. She follows his orders and doesn't answer, and this turns her on in a weird way. It's like phone sex tag. Or phone tag sex. Or something. Anyway, buttah. 


Don barges into Ted's office with some booze and wants to talk margarine. Ostensibly, it's a peace offering, but Don really wants to get Ted shitfaced because Don can drink the entire merged staff under the table. Don comes up with a campaign strategy for margarine, and Ted falls asleep at the creative table.

Yep.

At Pete's, Bud shows up and refuses to take Ma home. Bud's mad about a business deal of Bud's Pete didn't take him up on forever ago, and Bud won't take Ma back. Ma's place is apparently condemned because she won't clean it anymore, and Bud tells Pete it's his turn. Judy (with a J) won't deal with Mother anymore after Mother smacked her with a tea towel. She's had it. Plain had it. Pete orders Mother to say at his apartment. 

Sylvia isn't creeped out at this point by strange knocks on her door, so she opens the door to Room 503 thinking she will find Lil Dickie Whitman, but instead she finds a box from Saks. She opens it and it's a swank red dress, which she can presumably don. Pun intended. Don swaggers in and Sylvia thinks they're going out, but instead he tells Sylvia to take off the dress. Instead of running screaming out of the room, she does it, while Don watches her with this creepy evil self loathingy hatredy look in his eyes. Anyway, it gave me the irks. Then he goes home and goes to sleep next to the sleeping, clueless Megan. Nice job, Don.

Don's new special work mug?

Joan began today's festivities by puking into a trash can. Her vomiting is interrupted by likely serial killer (or at least planning a hostile takeover of the company), Bob Benson. Joan thinks she has food poisoning, but sister is in pain. Bob convinces Joan to let him help her out of the building and to the hospital. He calls a babysitter for Kevvy and scams the apathetic ER nurse into letting Joan, you know, see a doctor. Bob seems like kind of a decent guy, but then you have to remember that no one on this show is a decent person. I can't tell if he's helping Joan because he's a good person, or if he's taking advantage of an opportunity to gain a partner's loyalty because he knows the merger is creating redundancies. In either case, it's nice to see a man not treat Joan like shit for a change.

Hungover Ted's at the hospital visiting Frank the next morning. Things do not look so great for Frank. As we recall, Frank has been diagnosed with pancreatic cancer and he is failing, despite Ted's chipper can-do attitude that Frank can beat it. Ted admits to Frank that Don pwned him, but Frank's advice to Ted is for him not to fight Don because Don will tire himself out more quickly, because Don views Ted as more of a threat to his roost than Ted views Don.

Peggy is lying in wait in Don's office. She tells him this is a Shut The Door type of convo and berates him for getting Ted drunk at work. I also really dig her outfit in this scene. Peggy's of course still twitterpated with Ted, because of both before and after zees:

Shut the front door!

Don tells Peggy she's adorably angry, pats her on the head and tells her it's just work. Peggy's still angry with Don because he doesn't respect her (WELL, DUH, YOU ARE AFTER ALL FEMALE), so she leaves and slams the door. I love how Peggy takes Don's assholery so personally, when really he is horrible to everyone. Doth the lady protest too much? Oh, she doth. She so doth.

Still no sign of Dawn. She's probably tired of everyone awkwardly hugging her.

Pete's in Harry's office bitching about how he has no clients when Clara comes in and tells him that there's an emergency at his place with Mother. Mother has set his apartment on fire and he must leave the office, presumably to swat her with a tea towel. This means Don is stuck flying up to Albany in a biplane with Ted at the helm. Don clutches at his book for some semblance of mommy control and security while Ted lets Don know that there is a mutha fuckin bad ass on this mutha fuckin plane.  



Bob Benson visits Joan and her mother thinks he is a Very Nice Young Man. And so handsome! And single! And successful! JOAN. Joan had a cyst all up in her lady bits, but she is perfectly fine. Joan's mom wants Joan to get together with Bob, but Joan sayeth she isn't interested. Then she saves him from the chopping block during a partners' meeting, and they let some other poor sap go instead of Bob. Well played, Bob. Well played.

Pete's pissed (again...yawn) when Clara informs him that Don and Ted went up to chat with Henry LaMonte and Mohawk and whoever and things are all cool. Pete had to miss the meeting because Mother is a pyro. He cries and stamps his feet because things are not going his way.

Over at the Hotel Amores Creepos, Sylvia doesn't want to spend another day naked in bed and tells Don she's not hanging around there all day while he goes out and saves the world and she plays blow-up doll. Finally, she tells him that they are done and she is going to ask Arnie to come home. After letting a man degrade her for a day and a half, Sylvia puts her stiletto down. Woo-hoo. Female empowerment. So, in a futile attempt to control someone in a world gone mad, Don learns the futility of his efforts and his existence. Le sigh. 


One awkward elevator ride later and Sylvia walks into her apartment and Don reluctantly goes back to his. He finds Megan there, chattering away about a vacation she wants to take. Don listens politely, but tunes her out. 

Later that night, at Pete's, Mother interrupts Pete's slumber by letting him know that Bobby Kennedy has been shot. Pete dismisses it as her confused rambling, mistaking JFK for Bobby. Pete's self-absorbed nature is at its full height in this episode with his obviously ailing mother-- begrudgingly helping her when  she is unable to think clearly and dismissing her during her one lucid moment.

The next morning, Megan is watching the television coverage of Bobby Kennedy's assassination and crying. Don walks in and sits on the bed, looking totally helpless. Is he thinking that he knows he doesn't love Megan and that maybe he should do the gentlemanly thing and let her go? Is he regretting how he treated Sylvia? Is he bothered by Bobby Kennedy's death? Is it all three? None?

Or perhaps something more pernicious? Perhaps he's having a vision of the future?

Coming soon (in fabulous Technicolor) to a television near you.

At least there's still the Chevy account.

Damn, it's good to be a gangsta.


Also, did you know that Death Cab is doing an Oreos commercial now? Oh, the things you learn when you watch Mad Men.

Monday, May 6, 2013

There's Poop in the Hallway Again

Oh. Dood. It got REAL on Mad Men last night. Angsty workplace personal and professional drama realness. It was SO good to see all of our favorite SCDP folks really being themselves and being so very much the characters we've all come to love and hate and hatelove. The cast acted the shit out of this episode. One of the best MMs I have seen in a while. I giggled throughout. 

Grumpy Old Man Bert Cooper is having a meeting with Pete, Joanie and some accountant fellow. SCDP is about to go public, and they want $12 a share. Accountant fellow tells them he's done the math, and the best he can really get at this stage is $9 a share. But what does it matter? We'll all be millionaires! "Maybe Trudy will take my sorry ass back if I'm loaded," thinks Pete. Then he hits on Joan. 
Joanie, Joanie, Joanie. Don't deny. You know you want somma dis.
Roger wakes up next to his stewardess lady friend, Daisy. Roger's been asking her to scout out the first class lounge for potential clients and he scolds her for calling him for sexy time and not business. Really, he will take either, but a man's gotta work.

Meanwhile over at the Campbell homestead, Pete's feeling rapey and gets into bed with his estranged wife, Trudy. Trude manages to flirtatiously threaten divorce, and Pete tells her that she should stick with old Petey. He's coming into some Big Buck$$ soon. Because there's no such thing as alimony?

Megan's maman and Roger Sterling erstwhile fuckbuddy Marie is visiting NYC for Mother's Day. Megan and Don have to go to dinner with Sleazy Herb from Jaguar. Megan tells Maman that something isn't right with Don, but she has no clue what's happened. That girl from Freaks and Geeks is what happened. Keep your man on a leash, Megz. Maman's expert advice is for Megan to dress a little sluttier. Because it's real hard to get Don Draper into the sack. 


Why don't we play Thomas Jefferson and you can purchase me?
I think that we can all agree that Marie is AWESOME. Unless you have been living on Saturn, I'm sure you're aware that Marie is portrayed by none other than Juliette Binoche. WHO IS THE FRENCHEST PERSON ON THE PLANET. I also love that Megan's dad is an angry French Canadian Marxist. Like. They should have a show. Rosen comes in to borrow some wrapping paper for Mother's Day, and he's intrigued by Marie. I think we can also all agree that Rosen deseves to get wildly fucked, ne c'est pas?


So. Peggy's moved into this fixer-upper with Abe. It's super cute and historic, but there is the problem of frequent human feces in the hallway, plus the kids upstairs with their damn loud rock music. Peggy hates it. Let's remember that girlfriend is chief creative at a NYC ad agency. And this is where she lives. Because her boyfriend wanted. Ugh. Girl. Fortunately, she is totes bored with Abe. 

In we saw that coming news, Peggy's alone at the office with Ted, and they kiss. D'aww. Peggy starts feeling all in luvz with Ted, an let us not forget that he is married to that hag we met last week, so I'm sure that this will somehow go horribly wrong for her. Then she expresses her love for Bobby Kennedy. Sorry, Peggy, m'love. That Bobby Kennedy thing isn't going to work out for you, either. 

Pete asks Don if he can tag along to the Jaguar dinner with Herb. Don is like, "Um, no." Don thinks the dinner is off, but Roger is in his office when Don arrives the next morning and tells him the dinner is back on, but Pete is not invited. Roger tells Don to bring the spouses to "limit the explosion," and Roger gets the bonus of the good news the La Femme Marie is back in town. Mais oui. 

At Ted's office, the creative team DOESN'T WANT TO DRAW ANY MORE ROCKET SHIPS. They're going over their presentation to Chevrolet, and one of the creatives, Frank, reveals he has pancreatic cancer. Christ on a moped. This sucks for them because of the way their contracts are structured. If Frank dies, the other partners have to buy him out and that could bankrupt the company, since they don't have the Alpha Romero account anymore. Can you dig?

At the airport, Daisy's flirted her way into the good graces of an exec in the first class lounge. She calls Roger and Roger heads over to chat him up. His name's Mikey and he's from Detroit. Doesn't take a genius to figure out that Mikey's from GM. Good scouting, Daisy. Roger instructs Daisy to bring him some water and an onion, but good ole Mikey needs to get liquored up. Then he tells Daisy to find him a seat on the flight to DTE. 

Unable to find a willing female to sleep with him, Pete heads over to a whorehouse with Bob Branson. It's a rule on teevee that if you frequent a brothel, you will run into someone you know. Pete runs into Trude's dad. Oopsie. Entertaining Trudy's dad is, "a two hundred pound Negro prostitute." Actual quote. This is problematic for Pete not only because of his problems with Trude, but in case we have forgotten, Trude's dad is Vicks. And Vicks was getting his Vapo rubbed by "the biggest, blackest prostitute." Actual. Quote. All that's really missing from this party is a few congressmen and some blow. Pete has a WTF do I do convo with Cosgrove and Cosgrove tells Pete to keep mum and cites MAD (mutually assured destruction).
Ya'll my sinuses are clear, thanks to Vicks VapoRuuuuuuuuu......

If Pete rats on Papa Vicks, they might lose the account and people will also know he was there, too. That strategy fails when, later, Don and Roger learn from a rival agency that Vicks has pulled their account. Pete goes over to Vicks and confronts Pa Vicks, and Pa Vicks tells Pete that he's a sleazebag for being at the cat house and that's why. Because dammit. His Trudy is a princess and she deserves better. So, I'm taking away your livelihood. That'll teach you. Then Pete decides to stupidly head out to Trudy's. He tells Trude that daddy pulled the account and informs her that her beloved papa was in a whorehouse. WITH A FAT BLACK PROSTITUTE. Trudy cries, and tells him to get out and that they are through. AND I LAUGHED SO EFFING HARD. Apparently that MLK thing went right over Pete's head after all. 

In awkward dinner conversation news, Don has exactly zero fondness for Herb. Precisely. None. Let's not forget that Don was the only partner who wasn't 100 percent on board with whoring Joanie out to snag the Jaguar account. Megan wears a short skirt to entice Don to, you know, actually sleep with his wife for a change. Maman accompanies them and Roger never shows because, as we later learn, he's in Detroit romancing Chevy. Maman HATES Herb's wife, who is a really talkative; really nice; really, really clueless lady. Maman snarks her in French to Megan, and then the ladies go off to powder their noses. Herb tells Don that he has a young copy editor friend and he'd like SCDP to run their copy by Herb's friend. Don's offended and gives Herb a business card, with the instruction that he can stick it up his ass. SCDP offically loses the Jaguar account, and the spouses and Maman return, wondering WTF just happened. On the up side, Megan's short skirt worked and Don gets into her drawers instead of Sylvia Rosen's. Oh, happy day. Roger calls to talk to Don, and he gets Maman instead. Maman is listening to the joyful sounds of  Don foutre her daughter. Maman wants to know why Monsieur Roger has not called her, and Roger swears he was going to call Maman. Maman thinks this is le merde and so she hangs up on him. He calls back. She hangs up on him again. Le sigh.

It gets real at the office on the morrow. Don drops the bomb that they lost Jaguar. Joan is PISSED. Joan wonders WTF she went through sleeping with Herb for if they were just going to drop the account. Don says Jaguar was going to drop SCDP anyway, and Don dumped them preemptively. Pete is livid. He tells Don that they were brokering a deal to go public, and he'd even gotten the news that they could sell SCDP stock at $11 a share. Don had no idea, and Pete's pissed because he thinks Don doesn't care about the company. There's a public shouting match in the middle of the office and then they take the shouting into the conference room. Then Roger sails in and is like,  "Guys. Guys. Guys. It's coooool, daddy-os. Who givvles a shizzle-nizzle?" He reveals that he landed an appointment to compete for the new Chevy account, and creative meets in Don's office to strategize. They have until Friday to come up with something that will blow the competition into Lake St. Clair.

The deal with GM is that they are working on a top-secret car. The teams have to come up with an ad pitch based on a car they've never seen. We're not all sure what car Chevy is going to debut, but the top guess is the second generation Camaro. If you know, post in the comments.

Ted's working on Chevy, too. Peggy enters his office and they suck face and jeah. Peggy spends the rest of the episode fantasizing about Ted, pretending Abe is Ted when she's sucking face with Abe. Is Peggy going to launch into an illicit affair with her married boss? Does Peggy get to be the office romance? The Other Woman? Does she get to do what she's seen so many of her male coworkers do? I do think she should dump Abe, though. Yeah, he's kind of a schleb, but I feel kind of bad for him now.
Do I win romance? Whee!!

Who does Don run into in the elevator but Dr. Rosen. Dr. Rosen has quit his job. It seems Rosen was trying to get a heart transplant patient and the hospital blocked him, and now his transplant patient and the heart donor are both dead. So, that means he's going to be home during the day. Sorry, Don. But there's always hate sex with Betty!

It's at the airport that Don and Roger learn that they've lost Vicks. Two accounts lost in about 24 hours. Their asses are toast. Don makes it to Detroit, but he can't sleep. He heads down to the hotel bar, and instead of being approached by a hooker or a drunk soldier, he runs into Ted. Ted realizes when he sees Draper that his little agency has no chance of getting the Chevy account. He explains to Don that Chevy brought in two small agencies along with the larger agencies. Ted thinks that they'll take one of the smaller agency's creative work and give it to one of the larger agencies. If you've been following the bouncing ball during this episode, you can guess what happens next. Don and Ted take turns giving their pitches, and they both agree they have solid work. So they decide to merge. They're merging their Chevy pitch as well as their entire agencies. If you hadn't guessed that SCDP and Ted's company were going to merge, the show's final ten minutes may have come to a shock to you. We've been seeing a lot of Ted not just because he's Peggy's boss, but because he'll be joining SCDP as an active member.  


I'm going to rule over you all!! You fools!!

This means Peggy will be working with SCDP peeps yet once more. Don, of course, only clears this merger with Roger before breaking the news to the other partners, but how much of a fit will they throw, really, once they reveal that they've landed the Chevy account to replace the losses of Beans, Ketchup, Jaguar and Vicks? 

Once Ted returns from Detroit, he calls her into his office. Peggy powders her nose and fixes up for her expectant tryst with Ted. She walks in and who's in Ted's office but fucking Don Draper. Fuck a Duck Phillips duck. Sure, Don inadvertently cockblocks her, but he actually seems appreciative of her work for a change. We'll see how long that lasts. Ted and Don assign Peggy to write up the press release and Don gracefully suggests that she give her finished copy to Ted. Will Don have more respect for Peggy now that she's stood up to Don and won Ted's respect? Peggy's team won Ketchup away from SCDP and Don will undoubtedly be using Peggy's creative on their Chevy project.

So, what kind of dick-measuring is going to be in store for the next episode? Will Joan be able to forgive Don for kicking Jaguar to the curb after she had to sex Sleazy Herb? Who will be in charge? Will it be Don? Ted? Will Petey be able to get back into VapoRub's good graces? If I were a conspiracy theorist, I'd think Bob Branson planned for Pete's FIL to see him at the sporting house, but maybe MM hasn't turned entirely into soap opera just yet. Winkies.

BUT WILL SOMEONE JUST PUT PEGGY IN CHARGE ALREADY???