Showing posts with label those crazy Brits. Show all posts
Showing posts with label those crazy Brits. Show all posts

Thursday, January 29, 2015

Quick and Dirty

I've been trying out a lot of random shows lately with varying results. Let's try something new where I just shout out my initial thoughts about this motley collection.


Backstrom:Dwight from The Office tries to be House. He's not House. I lasted all of two minutes before I was offended by this excremental show. 


Next!


Call the Midwife: BIRTH CONTROL. Seriously, you will not let any man near your lady parts after watching this show.  


Next!


Glee: It's the Final Season! They're all back at McKinley! Who cares?!


Next!


Grantchester: He's a hot vicar who solves murders. Too bad it's totally boring.


Next!


Z Nation: Still way better and more fun than The Walking Dead. 


Next!

Black Sails: Completely nonsensical and impossible to follow.


And finally....


Marco Polo: Everyone is more interesting than the main character, but at least he's cute. Oh, and the show is actually pretty good if you're into thirteenth century Mongol politics. AND WHO ISN'T.


Maggie Cats OUT.

Sunday, October 12, 2014

New Fall Shows, Round 3!

The hits keep on coming, and by "hits" I mean shows that will likely get cancelled in another few weeks. Sorry for the delay in this latest round-up of capsule reviews, but I'm doing my best to make it up to y'all by being particularly clever and insightful with this latest batch.

That last part is a total lie, btw. You get your usual tired jokes and awful puns. You know you love it.

Anyway, let's get to it!

Selfie: The internet decided that this show was going to be terrible months before it even aired. After all, the main character, Eliza, is pretty much a walking example/cliche of everything that is wrong with our narcissistic, self-involved, tech-obsessed culture (despite being portrayed by the delightful Karen Gillan from Doctor Who). And based on the first 5 minutes, which were to be perfectly honest, horrifying, I would agree with the internet. But then a weird thing happened: Eliza (and the show) displayed some moments of genuine pathos that hit me in the gut. And then all of a sudden, I was rooting for Eliza to get her shit together and you know, become a real and likeable person.

Selfie is based on the play Pygamalion (though you are probably more familiar with the musical, My Fair Lady). In this version, Eliza seeks out the "rebranding" skills of her coworker and marketing expert, Henry, to teach her how to connect with people and make real friends...rather than just friending people on social media. What is surprising (and smart) is that Henry isn't set up as an all-knowing perfect example of normal humanity. In his own way, Henry is just as incapable as Eliza when it comes to making connections, so you know--they'll be able to learn from each other. I know, it sounds lame and it's definitely not an original idea, but Karen Gillan and John Cho are inherently likeable and I'll keep watching for now.

Rex Harrison and Audrey Hepburn they ain't.

Bottomline: If you can look past the vulgarity, there's some real meat and emotion to this story about the difficulty of connecting with others in our self-absorbed culture. Karen Gillan and John Cho are also both great in their respective roles. Selfie airs Tuesdays at 8:00 on ABC.


Gracepoint: The consensus on this one seems to be a general feeling of "....but why?" For those not in the know, Gracepoint is an Americanization of the British mystery series Broadchurch, about the murder of a young boy in an English village. In typical BBC fashion, the British version was nuanced, well-acted, and focused on not only the whodunnit aspect of the story, but also the secrets everyone in the small town kept from one another.

Usually when a British import is adapted for American television, people who are fans of the original wail and rend their garments lamenting how much worse the US show is in comparison to the British one. That's not the case here--Gracepoint is similarly atmospheric, similarly well-acted, and well, similarly everything good about Broadchurch. In fact, THAT's the problem. Gracepoint appears to be almost a shot for shot remake of Broadchurch--including the brilliant long tracking shot in the early minutes of the first episode that introduce the main players in the mystery.

They even got David Tennant to reprise his role as the police detective in charge of the investigation,  playing the exact same character, just with a cheesy American accent. Of course I don't know if the show will have the same killer as the British version, but to be honest, I'm not going to stick around to find out. I've seen this story already. I understand wanting to adapt the story for an American audience, especially given the high quality of the original, but as someone who has seen both, you gotta give me something new to keep me interested.


Even the actors are like, "why are we here?"

Bottomline: If you haven't seen Broadchurch, Gracepoint is a dramatic and intricate story about a murder  in a small town with excellent acting, atmosphere, and twists and turns. If you have seen Broadchurch, then you've also seen Gracepoint. Gracepoint airs Thursday evenings at 9:00 on FOX.


Manhattan Love Story: It's cute. It's too cute. It's another one of those annoying romantic "comedies" where he's a handsome bro, she's an adorable and quirky gal with bouncy curls, they're not perfect but they might just be perfect for each other!

Gag. Me.

It's too bad both the leads in this show are so annoying, because the supporting characters, especially girl best friend Amy (played by Jade Catta-Preta--a dead ringer for Lady Gaga when she looks normal), are actually really funny. But I don't think I can get past the cute. It's just trying too hard. Both the leads showed some promise of actual personality, but I'm not sticking with it to see if those hints of promise are explored.

Oh, and if I see one more show where the writers/producers try to make a gorgeous woman seem more "real" by having her unable to understand how a smart phone/email/Facebook work I am going to lose it and Hulk the fuck out.


She even bites her lower lip. You guys, I CANNOT EVEN.

Bottomline: Plays up every current rom-com cliche and the supporting actors deserve way better. Manhattan Love Story airs Tuesdays at 8:30 on ABC.


The Flash: One of my favorite pilots of the season, The Flash has a sense of fun that can be lacking in Arrow (don't get me wrong though--I love Arrow) but still maintains enough action and drama to keep your eyes glued to the television. It passed the smart phone test--meaning I wasn't reaching for my phone to fiddle with it while the show was on. 

But it's not all fun and games, there's also an underlying sense of stakes and peril; I wouldn't be surprised if some of the characters from the pilot get bumped off in the coming season. Special bonus points for giving Tom Cavanagh a role he can really bite into (is he a good guy? A secret Evil Mastermind? I don't knoooooow!) and putting Jesse L. Martin back on my tv. Do you think he will sing in an upcoming musical episode? God, I hope so. This is a short review, but that's because I don't really have anything negative to say. The Flash is just good old-fashioned comic book fun. 

"Wheeee, I'm super fast! And bouncy!"

Bottomline: The Flash impresses with its ability to combine the fun of superpowers with a real sense of darkness and danger for the characters. One of my favorites of the season, The Flash airs Tuesday evenings at 8:00 on the CW.  


Monday, March 10, 2014

The White Queen

Starz has been making quite a name for itself with original programming lately. The channel first caught my eye with Spartacus, which I love, though it didn't impress me with it's take on Camelot (but I am thinking about revisiting that one on DVD).

I heard some good things about the limited run series, The White Queen, and decided to give it a try on Netflix. It initially aired in the BBC and on Starz last year. And it was....alright? I guess? I'm a big Tudor history fan, but was honestly a bit disappointed.

Before we get into the nitty gritty of the series, how about some background and a brief history lesson, mmkay? The White Queen is set during The War of the Roses, circa 1460s, when the great English houses York and Lancaster vied for the throne. When the series opens, Edward IV of House York is King...and he falls for Elizabeth Woodville, a widow of House Lancaster. Whoops! Not a good idea to marry a member of your enemy's house. Edward is kind of a bastard, but Elizabeth (and more so her mother) ain't no fools, and they see that banging the King is a pretty good way to get some serious power and property. So they're down with going to bat for the Yorks. A girl's gotta do and all that rot.

So, Elizabeth is the White Queen in this scenario--because the symbol of House York is a white rose. Got it? The problem with all this history is also a problem with the show. It's SUPER complicated. Everyone is related to everyone else (thanks, inbreeding!), but people constantly change sides in the war and everyone is a pasty white person so it's kind of hard to keep things straight in your head. I spent a good 4 episodes trying to figure out who certain characters were and where they stood in the game of thrones (see what I did there?).

Comparisons to the other medieval dramas on premium cable are inevitable. So let's just get right into it. Unlike Game of Thrones, The White Queen doesn't handle the complicated plots and shifting loyalties of its characters particularly well. Starz tried to make things a bit more mysterious by implying that Elizabeth, her Mom, and her daughters have some witchy abilities, but it never really committed to that idea one or the other. Basically, The White Queen doesn't go far enough with the politics, fantasy, or battle scenes to be as awesome as Game of Thrones, nor does it have the sexiness to pull off being a guilty pleasure like The Tudors. It's kind of stuck in the middle, mired in mediocrity.

Ok, that last point might have been a bit harsh, but at the end of the day, I can tell you The White Queen didn't do a great job holding my attention, and the narrative was split between too many potential queens to tell a cohesive story. I wasn't really rooting for any of the characters to succeed (even though I knew how things eventually turned out), though ostensibly Elizabeth should be the center of the story and the "heroine."

Still, I stuck with it until the end which means I must have found some of it intriguing. It's also a welcome change to see several women featured at the center of story and to drive the action through their choices and machinations. I think what was really lacking was a character who was smart enough to effectively manipulate the situations and people. There was a lot of reaction and not a lot of actual action.

In sum, if medieval dramas are your thing, stick with the shows that have done it better and give The White Queen a pass. Now we just need to see how DaVinci's Demons and Black Sails shake out...





Thursday, January 2, 2014

New Year, New Doctor

Well, that's that then. So long Matt Smith!

You are just too adorable.

He had a good run. I have been consistently disappointed in the Steven Moffat era of Doctor Who*, but never disappointed in Matt Smith. From the moment he asked a young Amelia Pond for fish fingers and custard, I thought of him as the Doctor. Did I miss David Tennant? Of course. Did I love Matt Smith. Absolutely.

But even in the TARDIS, time marches on and Matt Smith has decided to carry on with his career. On Christmas, we bade farewell to the Eleventh Doctor (I guess really the Twelfth?) in the special episode, The Time of the Doctor, and said a brief hello to the next actor to take on the role: Peter Capaldi.

I don't want to harp on the episode, for the most part I enjoyed it. But it would be remiss of me not to mention that it didn't seem to make a lot of sense. Plot holes big enough to drive a TARDIS through have been something of a hallmark with Moffat episodes (as well as an annoying tendency to repeat themes and types of female characters), and The Time of the Doctor was no exception.

A town called Christmas? Ugh. I did enjoy the cyberman talking head though.

If I may quote my favorite internet gay uncles (Tom and Lorenzo):
We’re gonna cop to some laziness here, as well as some Moffat fatigue, because we’re not even going to bother listing all the things that made no sense or were left unexplained. If Moffat couldn’t be bothered to write a story that holds together, should we really put all that much effort into showing how it falls apart? Besides, one thing we know for sure, you either loved or hated this special and there’s not a thing anyone can say to convince you otherwise. When someone who hadn’t seen it yet asked us how it was, we told them it was a lot like the Lost finale: nothing made sense but you’ll get a good cry out of it at the end.
I have to confess there was a lot about the plot of this episode that I didn't understand or plain didn't get. The Doctor spends 300 years in this one small town? Really? And I have never been a fan of skipping HUGE periods of time in the course of an episode (something Moffat has also done before with this Doctor), and here it just seemed like a cheap device.

But none of that really matters in the long run, I suppose. If you didn't cheer when the Time Lords zapped the Doctor with some extra regeneration energy (I guess they just have that shit lying around or something), then you don't have a heart. And the goodbye to his past companions was very sweet. The regeneration into Doctor number Twelve was both achingly slow and shockingly quick and from the 20 or so seconds we saw of him, Peter Capaldi did a great job.

While I mourn the loss of Matt Smith from Doctor Who, my takeaway was one of excitement for the new season and the new Doctor. Bring it on, Moffat.

I'm excited!

The new season of Doctor Who (the 8th of the new series) will air in the UK in August 2014. Hopefully, we'll get it on BBC America at the same time!

*except the Neil Gaiman penned episodes and the recent 50th Anniversary special.